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Sunday, December 25, 2011

The First Grader (2010)

The First Grader (2010)
 Director: Justin Chadwick
 Country:  Kenya
Runtime: 103 min




In a small, remote, mountaintop primary school in the Kenyan bush, hundreds of children are jostling for a chance for the free education newly promised by the Kenyan government. One applicant causes astonishment when he knocks on the door of the school. He is Maruge (Oliver Litondo), an old Mau Mau veteran in his 80s, who is desperate to learn to read at this late stage of his life. He fought for the liberation of his country and now feels he must have the chance at the education so long denied—even if it means sitting in a classroom alongside six-year-old children.
Moved by his passionate plea, head teacher Jane Obinchu (Naomie Harris) supports his struggle to gain admission, and together they face fierce opposition from parents and officials who don't want to waste a precious school place on such an old man.
Full of vitality and humor, the film explores the remarkable relationships Maruge builds with classmates some 80 years his junior. Through Maruge's journey, we are taken back to the shocking untold story of British colonial rule 50 years earlier, when Maruge fought for the freedom of his country and eventually ended up in the extreme and harsh conditions of the British detention camps.
The First Grader is a heartwarming and inspiring true story of one man's fight for what he believes is his right in order to overcome the burdens of his past. It is a triumphant testimony to the transforming force of education.

Pumzi (2009)

Pumzi (2009)
Director:Wanuri Kahiu
Country: South Africa | Kenya
Runtime:21 min

 

Pumzi, Kenya’s first science fiction film, imagines a dystopian future 35 years after water wars have torn the world apart. East African survivors of the ecological devastation remain locked away in contained communities, but a young woman in possession of a germinating seed struggles against the governing council to bring the plant to Earth’s ruined surface.
Filmmaker Wanuri Kahiu takes her sci-fi short <cite>Pumzi</cite> to Sundance this year.<br /><em>Photo: Chris King</em>
Filmmaker Wanuri Kahiu takes her sci-fi short Pumzi to Sundance this year.
Photo: Chris King
The short film, which will compete in screen at this year’s Sundance Film Festival, “started off as a small script about what kind of world we would have to be if we had to buy fresh air,” writer/director Wanuri Kahiu told Wired.com in a Skype interview.
Like recent standouts District 9 and Sleep Dealer, the short film taps into Third World realities and spins them forward for dramatic effect. But to produce Pumzi, Kahiu looked to the past, as well as the future.
She researched classic 1950s films to create her movie’s futuristic sets, comparing the processes of matte painting and rear-screen projection with indigenous African artwork.
“We already have a tradition of tapestries and functional art and things like that, that loan a backdrop for films,” Kahiu said.
Made with grant money from Focus Features’ Africa First short film program, the Goethe Institut and the Changamoto arts fund, Pumzi will share the screen with two other films as part of Sundance’s New African Cinema program.
Mentors from Focus Features introduced Kahiu to South African producers, including Simon Hansen, who worked with Neill Blomkamp on Alive in Joburg, the predecessor to last year’s sci-fi smash District 9. Kahiu said she hopes Blomkamp’s blockbuster will attract attention to other African films.

Kenya, frequently used for location shooting, boasts experienced crews but little funding. “You just hustle,” Kahiu said. “There is no set funding option. You borrow against banks, you do anything that you can to make your film.”
Distribution is another difficulty. While Kahiu hopes to offer Pumzi online, the Kenyan infrastructure is too underdeveloped to effectively distribute the film in her country. Meanwhile, directors in the country have been watching the prolific film community in neighboring Nigeria for inspiration.
Nollywood has its own distribution network and Kenya is slowly copying and picking up that very grass-roots distribution route,” Kahiu said.
Focus Features granted Kahiu complete control of her film. After producing commissions for African networks and retaining no rights, she helped create Dada Productions. Her first feature-length movie, From a Whisper, a dramatization built around the 1998 U.S. Embassy bombings in Nairobi and Dar Es Salaam, garnered five African Academy Movie Awards.
Kahiu’s future plans include expanding Pumzi to feature length as well as nurturing her local film community.
“I would like to work and build an industry, so that everyone walks away well-paid, with great hours,” Kahiu said. “Just a humane society, of sorts.”