The Rocket (2013)

The Rocket (2013)

Director: Kim Mordaunt 
Country: Australia
Runtime: 96 min

THE ROCKET begins with the birth of twin boys in rural Laos. Local superstition dictates that one is blessed, while the other is cursed, and the only way to return balance to the village is to get rid of them both. But when the second baby emerges stillborn, the young mother hides the truth – and raises her “cursed” child Ahlo without the knowledge of his possible destiny. When an Australian corporation carries out a village-wide relocation for a hydroelectric project, the boy and his family suddenly find themselves refugees. As the truth about his birth becomes known, Ahlo begins a journey down a path of redemption, strewn with unexploded bombs, hungry ghosts and the healing power of James Brown. Director Kim Mordaunt has crafted an explosive fable of human connection, marked by extraordinary performances from his child actors and haunting imagery of a land still reeling from the destruction of the Vietnam War

Journey to the West (2014)

Journey to the West (2014)

Director: Ming-liang Tsai
Country:Taiwan 
Runtime: 56 min

The face of an exhausted man breathing deeply, his face agitated and, nearby, the sea. A Buddhist monk walks barefoot and incredibly slowly through Marseille – so slowly, that his progress is barely perceptible and he becomes a calming influence in the midst of the town’s goings-on.

More like a performance or installation art project than an ‘art film’, "Le Voyage en Occident" (Xi you) is a follow-up to the 2012 short "Walker" or a kind of second segment, set in Marseille (South France - French Mediterranean coast).
Consisting of only 14 shots of varying lengths - from very brief to a centrepiece of approximately 20 minutes - the film shows two men, narratively unconnected, who finally come together in a sequence that shows off both actors’ physical skills and sense of timing.
Lee Kang-sheng, who features in all Tsai Ming-liang’s films, plays the monk with impressive energy. His uniform slow motion footsteps and devoted posture turn his performance into a veritable tour de force as he unswervingly makes his way from the coast to the market in Noailles (popular market with mixed communities people), like an illusion in his bright red robe. Xi You represents another edition of the director’s series of short films that expand Lee Kang-sheng’s thirty minute slow walking performance at Taipei’s National Theatre into a ‘slow walking expedition’. Unusual, brilliantly chosen camera angles provide a collage of various districts in Marseille, creating a hypnotic space in which this meditative peregrination becomes a surprising journey of discovery.