Pumzi (2009)
Director:Wanuri Kahiu
Country: South Africa | Kenya
Runtime:21 min
Pumzi, Kenya’s first science fiction film, imagines a dystopian future 35 years after water wars have torn the world apart. East African survivors of the ecological devastation remain locked away in contained communities, but a young woman in possession of a germinating seed struggles against the governing council to bring the plant to Earth’s ruined surface.
The short film, which will compete in
screen at this year’s Sundance Film Festival, “started off as a small
script about what kind of world we would have to be if we had to buy
fresh air,” writer/director Wanuri Kahiu told Wired.com in a Skype interview.
Like recent standouts District 9 and Sleep Dealer, the short film taps into Third World realities and spins them forward for dramatic effect. But to produce Pumzi, Kahiu looked to the past, as well as the future.
She researched classic 1950s films to create her movie’s futuristic sets, comparing the processes of matte painting and rear-screen projection with indigenous African artwork.
“We already have a tradition of tapestries and functional art and things like that, that loan a backdrop for films,” Kahiu said.
Made with grant money from Focus Features’ Africa First short film program, the Goethe Institut and the Changamoto arts fund, Pumzi will share the screen with two other films as part of Sundance’s New African Cinema program.
Mentors from Focus Features introduced Kahiu to South African producers, including Simon Hansen, who worked with Neill Blomkamp on Alive in Joburg, the predecessor to last year’s sci-fi smash District 9. Kahiu said she hopes Blomkamp’s blockbuster will attract attention to other African films.
Kenya, frequently used for location shooting, boasts experienced crews but little funding. “You just hustle,” Kahiu said. “There is no set funding option. You borrow against banks, you do anything that you can to make your film.”
Distribution is another difficulty. While Kahiu hopes to offer Pumzi online, the Kenyan infrastructure is too underdeveloped to effectively distribute the film in her country. Meanwhile, directors in the country have been watching the prolific film community in neighboring Nigeria for inspiration.
“Nollywood has its own distribution network and Kenya is slowly copying and picking up that very grass-roots distribution route,” Kahiu said.
Focus Features granted Kahiu complete control of her film. After producing commissions for African networks and retaining no rights, she helped create Dada Productions. Her first feature-length movie, From a Whisper, a dramatization built around the 1998 U.S. Embassy bombings in Nairobi and Dar Es Salaam, garnered five African Academy Movie Awards.
Kahiu’s future plans include expanding Pumzi to feature length as well as nurturing her local film community.
“I would like to work and build an industry, so that everyone walks away well-paid, with great hours,” Kahiu said. “Just a humane society, of sorts.”
Director:Wanuri Kahiu
Country: South Africa | Kenya
Runtime:21 min
Pumzi, Kenya’s first science fiction film, imagines a dystopian future 35 years after water wars have torn the world apart. East African survivors of the ecological devastation remain locked away in contained communities, but a young woman in possession of a germinating seed struggles against the governing council to bring the plant to Earth’s ruined surface.
Filmmaker Wanuri Kahiu takes her sci-fi short Pumzi to Sundance this year.
Photo: Chris King
Photo: Chris King
Like recent standouts District 9 and Sleep Dealer, the short film taps into Third World realities and spins them forward for dramatic effect. But to produce Pumzi, Kahiu looked to the past, as well as the future.
She researched classic 1950s films to create her movie’s futuristic sets, comparing the processes of matte painting and rear-screen projection with indigenous African artwork.
“We already have a tradition of tapestries and functional art and things like that, that loan a backdrop for films,” Kahiu said.
Made with grant money from Focus Features’ Africa First short film program, the Goethe Institut and the Changamoto arts fund, Pumzi will share the screen with two other films as part of Sundance’s New African Cinema program.
Mentors from Focus Features introduced Kahiu to South African producers, including Simon Hansen, who worked with Neill Blomkamp on Alive in Joburg, the predecessor to last year’s sci-fi smash District 9. Kahiu said she hopes Blomkamp’s blockbuster will attract attention to other African films.
Kenya, frequently used for location shooting, boasts experienced crews but little funding. “You just hustle,” Kahiu said. “There is no set funding option. You borrow against banks, you do anything that you can to make your film.”
Distribution is another difficulty. While Kahiu hopes to offer Pumzi online, the Kenyan infrastructure is too underdeveloped to effectively distribute the film in her country. Meanwhile, directors in the country have been watching the prolific film community in neighboring Nigeria for inspiration.
“Nollywood has its own distribution network and Kenya is slowly copying and picking up that very grass-roots distribution route,” Kahiu said.
Focus Features granted Kahiu complete control of her film. After producing commissions for African networks and retaining no rights, she helped create Dada Productions. Her first feature-length movie, From a Whisper, a dramatization built around the 1998 U.S. Embassy bombings in Nairobi and Dar Es Salaam, garnered five African Academy Movie Awards.
Kahiu’s future plans include expanding Pumzi to feature length as well as nurturing her local film community.
“I would like to work and build an industry, so that everyone walks away well-paid, with great hours,” Kahiu said. “Just a humane society, of sorts.”
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