36 (2012)
Director: Nawapol Thamrongrattanarit
Country: Thailand
Runtime:68min
36 is the number of shots on an analogue roll of film. It’s also the number of shots in this film. Yet it’s not a strict film, but the playful quest of a young photographer for the photos that disappeared on her computer: a whole year’s worth, including one of a challenging encounter.
The title 36 refers to the roll of film in the filmmaker’s old-fashioned analogue still camera. Each roll had 36 photos and it was always a surprise to find out after it had been developed what was on the negatives. Often the photos didn’t have much to do with each other, and often he didn’t know when and why he had taken a picture.
Nawapol Thamrongrattanarit also uses the number 36 to divide up his original, crisply-told film, which is made up of 36 shots. The filmmaker wanted to evoke something of the arbitrary nature of the old film rolls – and of memory – even though the story is told in a way that can be followed easily.
The protagonist in this lightfooted and melancholy feature is Sai. She is a location scout and for her work she records a lot with her camera. One day it turns out that the hard disk of her laptop has crashed and she has lost a year’s worth of photos. She has the feeling that part of her own memory has been deleted and she does everything possible to get the photos back.
In a playful way, this film tackles the issue of changing memory. These days a lot is remembered for us, but what do we still remember ourselves? Deeply hidden in the broken hard disk is also the picture of a possible lover. A persevering quest for lost digital time. –IFFR
Country: Thailand
Runtime:68min
36 is the number of shots on an analogue roll of film. It’s also the number of shots in this film. Yet it’s not a strict film, but the playful quest of a young photographer for the photos that disappeared on her computer: a whole year’s worth, including one of a challenging encounter.
The title 36 refers to the roll of film in the filmmaker’s old-fashioned analogue still camera. Each roll had 36 photos and it was always a surprise to find out after it had been developed what was on the negatives. Often the photos didn’t have much to do with each other, and often he didn’t know when and why he had taken a picture.
Nawapol Thamrongrattanarit also uses the number 36 to divide up his original, crisply-told film, which is made up of 36 shots. The filmmaker wanted to evoke something of the arbitrary nature of the old film rolls – and of memory – even though the story is told in a way that can be followed easily.
The protagonist in this lightfooted and melancholy feature is Sai. She is a location scout and for her work she records a lot with her camera. One day it turns out that the hard disk of her laptop has crashed and she has lost a year’s worth of photos. She has the feeling that part of her own memory has been deleted and she does everything possible to get the photos back.
In a playful way, this film tackles the issue of changing memory. These days a lot is remembered for us, but what do we still remember ourselves? Deeply hidden in the broken hard disk is also the picture of a possible lover. A persevering quest for lost digital time. –IFFR
