Meghe Dhaka Tara (2013)

Meghe Dhaka Tara (2013)

Director:Kamaleswar Mukherjee
Country:India
Runtime: 02:34

To Ritwik Ghatak film was not merely a form of entertainment, but a weapon, a medium to portray struggle of common men. He was successful neither in his career nor he could he become a good family man or husband. Still he was an artist who never compromised for personal gain, fame or profit. The story of the film starts in 1969 and deals with Ritwik Ghatak's time spent in a mental asylum. It shows Nilkantha being admitted to mental asylum under the supervision of Doctor S. P. Mukherjee. S. P. Mukherjee learns that the Prime Minister of India knows Nilkantha and is fond of his works and may request the hospital authority to take special care of him. In the hospital a police officer sees Nilkantha and tells Doctor Mukherjee that he is a wasted drunkard. Another patient of hospital mocks Nilkantha as "disgraced intellectual". Even he was undergoing treatment in the hospitals, he writes a play and stages it with other asylum patients. The film shows how Durga (Nilkantha's wife) wants to ...

Wadjda (2012)

Wadjda (2012)

Director:Haifaa Al-Mansour
Country: Saudi Arabia
Runtime: 98 min 

 WADJDA is a 10-year-old girl living in a suburb of Riyadh, the capital of Saudi Arabia. Although she lives in a conservative world, Wadjda is fun loving, entrepreneurial and always pushing the boundaries of what she can get away with. After a fight with her friend Abdullah, a neighborhood boy she shouldn't be playing with, Wadjda sees a beautiful green bicycle for sale. She wants the bicycle desperately so that she can beat Abdullah in a race. But Wadjda's mother won't allow it, fearing repercussions from a society that sees bicycles as dangerous to a girl's virtue. So Wadjda decides to try and raise the money herself. At first, Wadjda's mother is too preoccupied with convincing her husband not to take a second wife to realize what's going on. And soon enough Wadjda's plans are thwarted when she is caught running various schemes at school. Just as she is losing hope of raising enough money, she hears of a cash prize for a Koran recitation competition at her school. She devotes herself...

Marcelle Hanselaar: Postcard from the Edge (2013)

Marcelle Hanselaar: Postcard from the Edge (2013)

Director: Thomas Völker
Country: UK
Runtime: 12 min 

"POSTCARD FROM THE EDGE" is a short but intimate portrait of the Dutch painter MARCELLE HANSELAAR directed by German filmmaker and artist Thomas Völker. The film was made on the occasion of Hanselaar's Solo Show "Walking The Line" which took place at Kings Place Gallery London between May and June 2013. From the exhibition catalogue: Marcelle Hanselaar's familiar theme, the conflicting awareness and subsequent struggle with the balance of how we see ourselves and how we appear to others, has now found a bigger arena. Her gripping paintings of a solitary figure, with or without props are still there but now, for the first time, she takes this theme into the public realm, something she has freely explored in her large etchings but never before in her paintings. The result is a Breughel-esque tableau vivant. Hanselaar says "I am fascinated by the phenomena of crowds, how the shift from private to collective behavior creates a shift of inner boundaries as well. Our familiar sense of inner... 

The Past (2013)

The Past (2013)

Director: Asghar Farhadi
Country:Iran
Runtime: 130 min



Coming back to accomplish the divorce procedure, Ahmad an Iranian man, arrives in Paris after four years to meet his ex-wife and her daughters from her previous marriage. He notices his ex is in a relationship with an Arab named Samir who also has a son and a wife in a coma. The relationship of the older daughter and her mother is in deterioration because the daughter thinks her mother is the cause of Samir's wife comatose state. The affairs get more complicated when the older daughter discloses something heinous she has done.

The Great Beauty (2013)

The Great Beauty (2013)

Director: Paolo Sorrentino
Country: Italy
Runtime: 135 min

This visually spectacular film, which carries echoes of the classic works of Federico Fellini, was enthusiastically received by festival audiences and critics upon its premiere. Manohla Dargis of the New York Times called it 'an outlandishly entertaining hallucination,' and according to Variety's Jay Weissberg it's an 'astonishing cinematic feast.' Journalist Jep Gambardella (the dazzling Toni Servillo, Il Divo and Gomorrah) has been a permanent fixture in Rome's literary and social circles since the legendary success of his one and only novel. Armed with a roguish charm, he has seduced his way through the city's lavish night life for decades, but when his 65th birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.

La banda Picasso (2012)

La banda Picasso (2012)

Director: Fernando Colomo
Country: Spain
Runtime:100min








Take Picasso, Apollinaire, Manolo, Braque, Max Jacob and Gertrude Stein, and mix in the robbery of the 'Mona Lisa' from the Louvre. Together, the film presents a good-humoured view of the jealousies and intrigues between the characters.

Dripped (2011)

Dripped (2011)

Director: Léo Verrier
Country: France
Runtime: 9 min

Jack is a strange character. He steals paintings from museums to eat them. He feeds himself with the artistic process of the painter. But one day, the museums are closed and he will have to paint by himself to survive. 

Paradise: Hope (2013)

Paradise: Hope (2013)

Director: Ulrich Seidl
Country: Austria
Runtime: 100 min 

Her mother goes off to Kenya in search of beach boys willing to provide her with amorous services. Her staunchly Catholic aunt is absorbed in house-to-house evangelism. Thus, thirteen-year-old Melanie spends the holidays in a diet camp in the Austrian mountains. In between physical training and nutritional counselling, nightly pillow fights and a secret bout of binge drinking at the local disco, she falls in love with the doctor and camp director, who is forty years her senior. Melanie uses all her seductive wiles to win him over …
In the third part of his 'paradise' trilogy - following Paradies: Liebe and Paradies: Glaube - Ulrich Seidl pits the deep-seated human desire for love and security against harsh reality. From the sterile surroundings of the diet camp, Seidl filters impeccably pristine, minimalist images in which any hint of sensuality, passion or anarchy would appear to be a complete anathema. And yet Paradies: Hoffnung is the most tender of the three ‘paradise’ films, for his young protagonists bear within them a spark of hope that love is not just an illusion, but can be an honest and powerful emotion.

Hannah Arendt (2012)

Hannah Arendt (2012)

Director: Margarethe von Trotta
Country: Germany
Runtime: 113 min

Hannah Arendt is an interesting movie based on the true controversy caused by the report written by Arendt on the Eichmann trial. The movie by Margarethe Von Trotta offers a different perspective on World War II. One that is rarely approached: the post-Holocaust trials. Hannah Arendt was a Jewish great thinker who covered the trial of the SS Eichmann for The New Yorker. After she published her report, she was accused of defending Eichmann when she stated that the Jewish leaders certainly played a role in the deportation of so many Jews and that the SS officer was simply a piece of a much more complex puzzle. I think you'd be better off checking background information on Arendt and her work and this specific trial to perfectly understand the film. The movie also lacks some clarification about the characters and their relationships. For those reasons, I find it a bit elitist and not easy to reach. But I definitely like how the plot focuses on Arendt's personal struggle to respect her philosophical impartiality and freedom of speech. She's stuck into the battle between her thoughts and people's judgment. I believe the screenplay could have dug a bit deeper into Arendt's self-struggle and loneliness as this topic of the banality of evil will remain her life-long philosophical and inexhaustible well. I especially appreciated how the archive footage and audio files are perfectly inserted on screen. The director used several languages switching from Hebrew to English or German with touches of French. It surely makes the story true to the immigrant universe. This movie has an undeniable quality to it but I expected much more from such a topic that could have been examined to its fullest. I was hoping for more insight on being a public figure and having to justify your every opinion as well as being treated as a renegade by your own people, friends, and family.

The Fifth Season (2012)

The Fifth Season (2012)

Directors: Peter Brosens, Jessica Woodworth
Country: Belgium
Runtime: 93 min

Winter, spring, summer, autumn...and then? La cinquiememe saison (The Fifth Season) is an apocalyptic tale which does not need to make use of extraterrestrial aliens or natural catastrophes to impress the viewer. Humans and nature have a very fragile connection - what if nature suddenly decided to cut this connection?

Set in a little rural village in the Ardennes, the inhabitants are preparing for the local feast to celebrate the end of the winter. But something goes wrong: the fire that was supposed to light up the bonfire refuses to burn, a bad omen for the whole community. We do not see the end coming at first but season after season we gradually witness a slow but implacable process of decay: the crops do not grow, the animals become sterile, people fall ill and the trees collapse. The two young protagonists Alice and Thomas, the outsider Pol and his paraplegic son, and all the others can do nothing other than be spectators to this silent disaster.

La cinquieme saison cleverly mixes ancient peasant beliefs with contemporary fears such as the collapse of the natural world. It is a powerful viewing experience, perhaps because of the intimacy of the environment in which it happens. Protagonists and viewers alike are utterly powerless in front of such drastic changes. It is a slow death and, even though it is not set in a famous city like most catastrophe films, the film suggests that the same process is happening everywhere in the world.

The cinematography is outstanding: each single frame could be a magnificent photo and actors, props and sets are all arranged with extreme attention to composition and perspective. Like puppets in the hands of destiny, humans are helpless and nature, being non-human, has no pity. Bleached out colours highlight this little world in decay. Dying trees and vast empty crops surround the village as reminders of the imminent end. We are given a little hope when a man from some other village drives there, symbolically selling plastic "flowers of hope" - but it is an illusion. To say more would give too much of the film away, however.

The directors Brosens and Woodworth created and excellent work of spectacular photographic beauty, detailing archetypical fears of men vs nature in which there is no space for hopeful illusions. A distressing film but a unique cinematic experience that gives food for thought and employs a great cast.