The Fifth Season (2012)
Directors: Peter Brosens, Jessica Woodworth
Country: Belgium
Runtime: 93 min
Winter, spring, summer, autumn...and then? La cinquiememe saison (The
Fifth Season) is an apocalyptic tale which does not need to make use of
extraterrestrial aliens or natural catastrophes to impress the viewer.
Humans and nature have a very fragile connection - what if nature
suddenly decided to cut this connection?
Set in a little rural village in the Ardennes, the inhabitants are
preparing for the local feast to celebrate the end of the winter. But
something goes wrong: the fire that was supposed to light up the bonfire
refuses to burn, a bad omen for the whole community. We do not see the
end coming at first but season after season we gradually witness a slow
but implacable process of decay: the crops do not grow, the animals
become sterile, people fall ill and the trees collapse. The two young
protagonists Alice and Thomas, the outsider Pol and his paraplegic son,
and all the others can do nothing other than be spectators to this
silent disaster.
La cinquieme saison cleverly mixes ancient peasant beliefs with
contemporary fears such as the collapse of the natural world. It is a
powerful viewing experience, perhaps because of the intimacy of the
environment in which it happens. Protagonists and viewers alike are
utterly powerless in front of such drastic changes. It is a slow death
and, even though it is not set in a famous city like most catastrophe
films, the film suggests that the same process is happening everywhere
in the world.
The cinematography is outstanding: each single frame could be a
magnificent photo and actors, props and sets are all arranged with
extreme attention to composition and perspective. Like puppets in the
hands of destiny, humans are helpless and nature, being non-human, has
no pity. Bleached out colours highlight this little world in decay.
Dying trees and vast empty crops surround the village as reminders of
the imminent end. We are given a little hope when a man from some other
village drives there, symbolically selling plastic "flowers of hope" -
but it is an illusion. To say more would give too much of the film away,
however.
The directors Brosens and Woodworth created and excellent work of
spectacular photographic beauty, detailing archetypical fears of men vs
nature in which there is no space for hopeful illusions. A distressing
film but a unique cinematic experience that gives food for thought and
employs a great cast.