Camille Claudel 1915 (2013)

Camille Claudel 1915 (2013)

Director: Bruno Dumont
Country: France
Runtime: 95 min









Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.

Paradjanov (2013)

Paradjanov (2013)

Directors: Serge Avedikian, Olena Fetisova
Country: Ukraine | France | Georgia
Runtime:95 min 

Sergei Paradjanov can, without exaggeration, be called one of the most distinctive filmmakers of the 20th century. Indeed, Federico Fellini, Michelangelo Antonioni and Andrei Tarkovsky were among the many admirers of his fascinating powers of visualization. This biopic, evincing an original take on the genre, relates some of the key moments in the life and work of this director of genius, a native Armenian who was persecuted by the Soviet authorities. We watch Paradjanov as he makes his ground-breaking films Shadows of Forgotten Ancestors and The Colour of Pomegranates, and also during his imprisonment by the communist regime. The filmmakers present Paradjanov as a gifted artist overflowing with ideas, but also as a complicated personality. In creating the film’s artistic vision, the directing duo relies heavily on Paradjanov’s own, unmistakable trademark style, vividly showing the audience his distinctive way of seeing the world.

Fuck for Forest (2012)

Fuck for Forest (2012)

Director: Michal Marczak
Country: Poland
Runtime: 1 hour, 22 minutes





Danny, a roaming twenty-something from Norway, moves in with neo-hippies in Berlin. His new housemates form a group that campaigns on behalf of nature through 'ecoporn'. Surrounded by old-school clouds of incense and guitar music, they film their sexual exploits and then publish the films on their activist website. Visitors to the site pay to watch the films and the group uses the money to save rainforests. For this documentary, Marczak follows these extremely serious 'erotic activists' in Berlin and on their trips to Colombia and Peru, from which the well-intentioned hippies return rather disillusioned. The protagonists are introduced in a dryly comic voice-over that subtly confirms all the stereotypes. As do the protagonists themselves, who make coffee topless, incessantly smoke joints and say such things as: 'I really like your energy level.' Free love meets altruism meets twenty-first-century campaigning.

15: The Movie (2003)

15: The Movie (2003)

Director: Royston Tan
Country:Singapore
Runtime: 96 min





Fast, frenetic, and furious, 15 is the story of five Singaporian teenagers who, abandoned by the system and estranged from their parents and life in general, build their own world in which gangs, drugs, fighting, piercing, self-harm and suicide are common and brotherhood is important above all else. Presents the chaotic lives of these boys, living in the shadows of a sprawling metropolis and with only each other to rely on.

The Only Journey of His Life (2001)

The Only Journey of His Life (2001)

Director: Lakis Papastathis
Country: Greece
Runtime: 87 min

As Georgios Vizneyos, one of Greece's greatest authors, degenerates in an Athens mental asylum, the tale of another story-teller, his grandfather, begins to emerge through his mad ramblings. This lavish film recreates (through his own words) the writer's childhood life, rich with fantasy and legend. Apprenticed to a tailor, young Georgios' mind is filled with his grandfather fairy tales. He ponders the hill from which one can climb into the sky and waits each day for the chance to bring clothes to the princess and win her heart through song. But, just as reality begins to germinate doubt in his mind, Georgios is called home to his ailing grandfather, who will reveal one final, true story that may prove to be the most fantastic of all.

Los amantes pasajeros

Los amantes pasajeros

Director: Pedro Almodóvar
Country: Spain 
Runtime: 90 min




AN AIRLINER circles above central Spain. Technical problems have left the plane doomed, destined for a crash-landing. Frantic with nerves, passengers and crew-members descend into an orgy of alcohol, drugs and sex. Thus Pedro Almodóvar, the prince of modern Spanish cinema, allegorises the state of his country in his latest film, “Los amantes pasajeros”

Journey to Mytilene (2010)

Journey to Mytilene (2010)

Director: Lakis Papastathis
Country: Greece
Runtime:     1h 45mn

Kostas returns to his homeland Mytilene in Lesbos, a Greek island in the Northern Aegean Sea, to settle down the details about the inheritance of the family house. He left the place twenty years ago to study in Paris and he never went back. Now his return forces him to deal with the traumas of the past. He obviously studied cinema and is able to watch the world from the safe distance provided by the lens of the camera. He’s gradually reconciled with both the living and the dead. And eventually this experience helps him not only to regain the love for his homeland but also to come in terms with his own self.

  Papastathis (Theofilos 1987, The Only Journey of His Life 2001) as a pioneer documentary director belongs to the generation of film-makers that established the so-called “new Greek cinema” of late ‘60s and early ‘70s. He came to fiction films only much later shooting his first feature film in 1981. Like other late-bloomers of new Greek cinema he retained the formal awareness of Angelopoulos cinema trying at the same time to find a distinctly individual style. He met with great difficulties to make films at a regular rate, especially at a time when film as an art in Greece had a limited domestic and international support. So this is just the fourth feature film in thirty years from a director who is unanimously considered ‘important’ by Greek film critics although he’s simultaneously been accused of 'formalism' or, even worst, of morbid infatuation with the decay and the death. But there’s nothing here to be scared of except for some extensive use of POV camera - if this can be frightening - combined with repeated flash-backs and ceaseless switch from b&w to colour and vice versa. ‘Journey to Mytilene’ is mostly a nostalgic, tender and humane film.

Djembefola (1991)

Djembefola (1991)

Director: Laurent Chevallier
Country:Guinea
Runtime: 65 min

Mamady is one of the best african percussionist in the world. This film from 1991 follows him as he goes back to the village where he grew up in Guinea for the first time after 26 years. It becomes a moving adventure as we witness Mamady getting back in touch with his people and his old master. It features some really amazing dance moments ; LOTS of emotions ; and great chanting/percussions of course.

At the begining we learn how Mamady, as a baby, cried so much that his father took him to a witch doctor. After predicting a great future in which the baby would grow up to overshadow everybody else in the village, the doctor washed the infant's hands in a rare herbal potion.

Mamady Keita became a prodigy who at 14 was one of five percussionists selected for membership in the National Djoliba Ballet. His instrument, the djembe, is a large drum that is made of goat's hide tautly stretched over yoroko wood and is beaten with the hands. Depending on which part of the instrument is touched, it yields three distinctive tones. Even now he marvels at how, after hours of playing, his hands never become stiff or blistered.

The straightforward, smoothly edited film follows Mamady from Brussels on a pilgrimage to his native village of Balandugu, Guinea. After flying from Brussels to Conakry, Guinea's capital, Mamady Keita and the film crew make the rest of the trip by jeep to the remote village. There, he has a tear-filled reunion with friends and relatives who had assumed he was dead.

"Djembefola" accomplishes a lot in its 65 minutes. In addition to sketching a vivid portrait of its subject, it clearly describes the basic qualities of the djembe. The film's several extended musical sequences suggest how the instrument's beats and tones become a complex emotional language that serves as a kind of communal heartbeat for the people of Balandugu.

Post Tenebras Lux (2012)

 Post Tenebras Lux (2012)

Director: Carlos Reygadas
Country: Mexico
Runtime: 115 min

POST TENEBRAS LUX (“light after darkness”), ostensibly the story of an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction, is a stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world. Reygadas conjures a host of unforgettable, ominous images: a haunting sequence at dusk as Reygadas’s real-life daughter wanders a muddy field and farm animals loudly circle and thunder and lightning threaten; a glowing-red demon gliding through the rooms of a home; a husband and wife visiting a swingers’ bathhouse with rooms named after famous philosophers. By turns entrancing and mystifying, POST TENEBRAS LUX palpably explores the primal conflicts of the human condition.

Shabdo (2013)

Shabdo (2013)

Director: Kaushik Ganguly
Country: India
Runtime: 100 min 






Tarak is a professional foley artist whose obsession with creating sound effects for films makes him oblivious to all the talking around him. As his family and friends struggle to cope up with his changing soundscape, Dr Swati tries to figure out the roots of his obsession and finally succeeds to identify. Yet, Tarak plunges deeper and deeper into the world of the unheard as his love for cinema is unplugged.