Monday, December 17, 2012
Saturday, December 15, 2012
Ai Weiwei: Never Sorry (2012)
Ai Weiwei: Never Sorry (2012)
Director: Alison Klayman
Country: USA
Runtime: 91 min
AI WEIWEI: NEVER SORRY is the first feature-length film about the internationally renowned Chinese artist and activist, Ai Weiwei. In recent years, Ai has garnered international attention as much for his ambitious artwork as his political provocations. AI WEIWEI: NEVER SORRY examines this complex intersection of artistic practice and social activism as seen through the life and art of China's preeminent contemporary artist. From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman gained unprecedented access to Ai Weiwei. Klayman documented Ai's artistic process in preparation for major museum exhibitions, his intimate exchanges with family members and his increasingly public clashes with the Chinese government. Klayman's detailed portrait of the artist provides a nuanced exploration of contemporary China and one of its most compelling public figures.
Director: Alison Klayman
Country: USA
Runtime: 91 min
AI WEIWEI: NEVER SORRY is the first feature-length film about the internationally renowned Chinese artist and activist, Ai Weiwei. In recent years, Ai has garnered international attention as much for his ambitious artwork as his political provocations. AI WEIWEI: NEVER SORRY examines this complex intersection of artistic practice and social activism as seen through the life and art of China's preeminent contemporary artist. From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman gained unprecedented access to Ai Weiwei. Klayman documented Ai's artistic process in preparation for major museum exhibitions, his intimate exchanges with family members and his increasingly public clashes with the Chinese government. Klayman's detailed portrait of the artist provides a nuanced exploration of contemporary China and one of its most compelling public figures.
Unfair World (2011)
Unfair World (2011)
Director: Filippos Tsitos
Country: Greece
Duration : 1h 47mn
Sotiris is a police interrogator in Athens. He has an obsession: he needs to be fair. He judges the suspects after his personal moral and against the law.
With the intention to save another innocent soul, he accidentally kills a man.
Dora is the only witness to the crime. She is a poor cleaning woman who leads a breathless life. The struggle to survive has made her unfair.
The righteous Sotiris and the unrighteous Dora like each other.
But love, honesty and justice aren’t easy to combine.
Director: Filippos Tsitos
Country: Greece
Duration : 1h 47mn
Sotiris is a police interrogator in Athens. He has an obsession: he needs to be fair. He judges the suspects after his personal moral and against the law.
With the intention to save another innocent soul, he accidentally kills a man.
Dora is the only witness to the crime. She is a poor cleaning woman who leads a breathless life. The struggle to survive has made her unfair.
The righteous Sotiris and the unrighteous Dora like each other.
But love, honesty and justice aren’t easy to combine.
Sunday, December 09, 2012
Camion (2012)
Camion (2012)
Director: Rafaël Ouellet
Country: Canada
Runtime: 95 min
Truck driving is all sixty-year-old widower Germain (Julien Poulin) has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin. Though he was not at fault, the remorse he experiences is debilitating, leaving him severely depressed and unwilling to get behind the wheel again.
Deeply concerned for his father, Germain’s son Samuel (Patrice Dubois) puts his job in Montreal on hold, travels to New Brunswick to collect his estranged older brother Alain (Stéphane Breton), and together they drive to their rural Quebec hometown to care for their stricken father. The brothers, however, have their own issues: reliable Samuel is still lovelorn decades after a teenage breakup, while Alain, an inveterate raconteur and incurable womanizer, drifts aimlessly from town to town, incapable of settling down.
As the men struggle to reconnect, it becomes apparent that all three are stuck in the past for different reasons, unable to move forward. Slowly, the brothers revive Germain’s will to live, and in the process discover fresh directions for their own lives.
Director: Rafaël Ouellet
Country: Canada
Runtime: 95 min
Truck driving is all sixty-year-old widower Germain (Julien Poulin) has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin. Though he was not at fault, the remorse he experiences is debilitating, leaving him severely depressed and unwilling to get behind the wheel again.
Deeply concerned for his father, Germain’s son Samuel (Patrice Dubois) puts his job in Montreal on hold, travels to New Brunswick to collect his estranged older brother Alain (Stéphane Breton), and together they drive to their rural Quebec hometown to care for their stricken father. The brothers, however, have their own issues: reliable Samuel is still lovelorn decades after a teenage breakup, while Alain, an inveterate raconteur and incurable womanizer, drifts aimlessly from town to town, incapable of settling down.
As the men struggle to reconnect, it becomes apparent that all three are stuck in the past for different reasons, unable to move forward. Slowly, the brothers revive Germain’s will to live, and in the process discover fresh directions for their own lives.
Saturday, December 08, 2012
Nuit #1 (2011)
Nuit #1 (2011)
Director: Anne Émond
Country: Canada
Runtime: 91 min
Anne Émond’s dazzling debut feature is a bold and intimate study of a one-night stand. Clara and Nikolai meet at a sweat-soaked rave and end their night at his apartment. The first part of the film is an erotic and candid portrait of their lovemaking: we witness the mystery, sensuality and awkwardness of that first encounter. They know very little about each other, and we know very little about them.
When Nikolai catches Clara trying to sneak out without saying goodbye, this typical hookup takes an unexpected turn. The two strangers, now sober and clothed, begin to talk. Nikolai is coolly frank, criticizing modern women like Clara, whom he claims behave like men. She seems to be a disheartened romantic, sharing what she hoped Nikolai would have said to convince her to stay.
They continue to talk until dawn, often in uninterrupted, brutally honest monologues. Clara and Nikolai learn as much about each other in a few hours as some learn over the course of a long-term relationship. The power struggles of a couple play out, almost dance-like, in this one night. Most remarkable are the astonishing insights they make about their lives as they both venture willingly into the darkest parts of themselves. Our impressions of Clara and Nikolai change many times throughout the course of the film.
Set almost entirely in Nikolai’s unadorned apartment, Nuit #1 focuses closely on the two captivating lead actors, the camera scrutinizing their faces and small, nuanced gestures. Émond has deftly combined spare but elegant form with maximum impact, and the themes she developed in her fine short films flourish on a larger scale in this sharply perceptive first feature. In a world of technology-mediated contact and fleeting encounters, Nuit #1 is a cathartic chamber piece about two modern young people who dare to go much further.
Director: Anne Émond
Country: Canada
Runtime: 91 min
Anne Émond’s dazzling debut feature is a bold and intimate study of a one-night stand. Clara and Nikolai meet at a sweat-soaked rave and end their night at his apartment. The first part of the film is an erotic and candid portrait of their lovemaking: we witness the mystery, sensuality and awkwardness of that first encounter. They know very little about each other, and we know very little about them.
When Nikolai catches Clara trying to sneak out without saying goodbye, this typical hookup takes an unexpected turn. The two strangers, now sober and clothed, begin to talk. Nikolai is coolly frank, criticizing modern women like Clara, whom he claims behave like men. She seems to be a disheartened romantic, sharing what she hoped Nikolai would have said to convince her to stay.
They continue to talk until dawn, often in uninterrupted, brutally honest monologues. Clara and Nikolai learn as much about each other in a few hours as some learn over the course of a long-term relationship. The power struggles of a couple play out, almost dance-like, in this one night. Most remarkable are the astonishing insights they make about their lives as they both venture willingly into the darkest parts of themselves. Our impressions of Clara and Nikolai change many times throughout the course of the film.
Set almost entirely in Nikolai’s unadorned apartment, Nuit #1 focuses closely on the two captivating lead actors, the camera scrutinizing their faces and small, nuanced gestures. Émond has deftly combined spare but elegant form with maximum impact, and the themes she developed in her fine short films flourish on a larger scale in this sharply perceptive first feature. In a world of technology-mediated contact and fleeting encounters, Nuit #1 is a cathartic chamber piece about two modern young people who dare to go much further.
Friday, December 07, 2012
Granny's Funeral (2012)
Granny's Funeral (2012)
Director: Bruno Podalydès
Country: France
Duration : 1h 35mn
Granny is dead. Berthe is no more. Armand’s grandmother had sort of slipped his mind… Armand runs a pharmacy in the Paris suburbs with his wife, Helene. In a medicine cabinet he hides his magical equipment – he’s secretly preparing a show for the daughter… of his lover, Alix. And Granny? Should she be buried or cremated? Who was Berthe?
Director: Bruno Podalydès
Country: France
Duration : 1h 35mn
Granny is dead. Berthe is no more. Armand’s grandmother had sort of slipped his mind… Armand runs a pharmacy in the Paris suburbs with his wife, Helene. In a medicine cabinet he hides his magical equipment – he’s secretly preparing a show for the daughter… of his lover, Alix. And Granny? Should she be buried or cremated? Who was Berthe?
Thursday, December 06, 2012
White Tiger (2012)
White Tiger (2012)
Director: Karen Shakhnazarov
Country: Russia
Duration : 1h 48mn
Unusual Russian war movie about WWII tank battles with fictional, mistical and religous elements.
Karen Shavnazarov shows us a different side of "Soviet era war films". Not straightly patriotic, with no heroes, "politruks", shouting hurrahs... The film is about war itself, it's more philosophical film about tragedy of war and God. I would say, it's like David Lynch shot a film about WWII. Mystical and tragic story for me The story is about tank driver, Ivan, who was severely burnt in a fight, but divinely survived. Set in a latest war days, somewhere in a Hungarian borderlines. He's regarded as a lieutenant for a command of a newly built tank T-34-85 to fight a mysterious "White Tiger" tank.
Director: Karen Shakhnazarov
Country: Russia
Duration : 1h 48mn
Unusual Russian war movie about WWII tank battles with fictional, mistical and religous elements.
Karen Shavnazarov shows us a different side of "Soviet era war films". Not straightly patriotic, with no heroes, "politruks", shouting hurrahs... The film is about war itself, it's more philosophical film about tragedy of war and God. I would say, it's like David Lynch shot a film about WWII. Mystical and tragic story for me The story is about tank driver, Ivan, who was severely burnt in a fight, but divinely survived. Set in a latest war days, somewhere in a Hungarian borderlines. He's regarded as a lieutenant for a command of a newly built tank T-34-85 to fight a mysterious "White Tiger" tank.
Can (2011)
Can (2011)
Director: Rasit Çelikezer
Country: Turkey
Duration : 1h 42mn
After eloping to Istanbul to escape the objections of their families,
Cemal (Serdar Orcin) and Ayse (Selen Uçer) are happy in their marriage.
The only thing missing in their lives is the baby they would both like
to have. Unable to get pregnant, they eventually consult a doctor, who
reveals to Cemal that he’s infertile. Frustrated and ashamed, he embarks
on a face-saving scheme to have Ayse fake a pregnancy, while they adopt
a baby who will arrive nine months later. But when the baby does
arrive, under dubious circumstances, Ayse finds herself unable to summon
any maternal feeling whatsoever. As she and Cemal grow increasingly
resentful of one another, the marriage begins to crumble under the
strain and, appalled at the mess he’s made, Cemal flees. In this 2012
Sundance Special Jury Prize winner, set against the backdrop of a city
with a thriving market in the human trafficking of children, director
Rasit Çelikezer has created a complex and surprising exploration of what
it means to be a parent.
Wednesday, December 05, 2012
Maternity Blues (2011)
Maternity Blues (2011)
Director:Fabrizio Cattani
Country: Italy
Duration : 1h 34mn
Four different women, but bound by a common guilt: infanticide. Inside a judicial psychiatric hospital, they spend their time expiating a sentence which is mainly internal: the sense of guilt for a gesture that has made useless their existence. From their being forced to live together, new friendships are born, and everyone can read the guilt inside the others. From the confessions is born a comfort that does not completely succeed in alleviating the suffering.
Director:Fabrizio Cattani
Country: Italy
Duration : 1h 34mn
Four different women, but bound by a common guilt: infanticide. Inside a judicial psychiatric hospital, they spend their time expiating a sentence which is mainly internal: the sense of guilt for a gesture that has made useless their existence. From their being forced to live together, new friendships are born, and everyone can read the guilt inside the others. From the confessions is born a comfort that does not completely succeed in alleviating the suffering.
Tuesday, December 04, 2012
Nero's Guests (2009)
Nero's Guests (2009)
Director: Deepa Bhatia
Country: India
Runtime:55 min
Nearly 2,00,000 farmers have committed suicide in India over the last 10 years. But the mainstream media hardly reflects this. Nero´s Guests is a story about India’s agrarian crisis and the growing inequality seen through the work of the Rural Affairs Editor of Hindu newspaper, P Sainath. Through sustained coverage of the farm crisis, Sainath and his colleagues created the national agenda, compelling a government in denial to take notice and act. Through his writings and lectures, Sainath makes us confront the India we don’t want to see, and provokes us to think about who ‘Nero’s Guests’ are in today’s world.
Director: Deepa Bhatia
Country: India
Runtime:55 min
Nearly 2,00,000 farmers have committed suicide in India over the last 10 years. But the mainstream media hardly reflects this. Nero´s Guests is a story about India’s agrarian crisis and the growing inequality seen through the work of the Rural Affairs Editor of Hindu newspaper, P Sainath. Through sustained coverage of the farm crisis, Sainath and his colleagues created the national agenda, compelling a government in denial to take notice and act. Through his writings and lectures, Sainath makes us confront the India we don’t want to see, and provokes us to think about who ‘Nero’s Guests’ are in today’s world.
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