പേജുകള്‍‌

Thursday, November 10, 2011

Bullhead (2011) aka Rundskop

Bullhead (2011)
Director: Michael R. Roskam
Country: Belgium









Jacky Vanmarsenille didn't really get a chance in life. As he tells us at the beginning of the film, over some beautiful Flemish landscape, life is fucked. The man works in meat: beef farming is in the family. His livelihood is fed with hormones to make faster business, and his body and soul are nourished by them too. We learn to love this ghastly character as the director takes us back into a tragic incident in his childhood on the Flemish-French border and to the present, where he is caught up in unscrupulous meat business and a local murder.

Gise Memuru (2010) aka Toll Booth

Gise Memuru (2010) aka Toll Booth
 Director: Tolga Karacelik
Country: Turkey
Runtime: 96





Quiet and introverted toll booth clerk Kenan's life, a humdrum routine between the Tavsancik toll booth plaza and his home, will change the day the new operations chief comes to inspect Tavsancik. IMDB

The first feature film written and directed by Tolga Karaçelik, better known for his award-winning short films such as Rapunzel, Toll Booth tells a story of miscommunication, isolation and desperate alienation via a conflict between a father and his son. Confined to his own world of dreams, introvert, and reticent, Kenan is a toll booth attendant, who lives with his ailing father. Kenan’s drab life stuck in routines between his toll booth and home will change the day a new manager comes for supervision. (~iksv.org)

Monday, October 31, 2011

The Mosquito Net (2010)

The Mosquito Net (2010)
Director: Agustí Vila
Country: Spain
Runtime: 1 hour, 35 minutes





A wildly dysfunctional family begins to drown in their multiple neuroses in this offbeat drama from Spanish filmmaker Agusti Vila. Luis (Marcos Franz) is the teenage son of Miguel and Alicia, a couple whose marriage is on its last legs. Luis obsessively brings home stray dogs and cats, who show him the attention and affection he doesn't get from his parents. Miguel and Alicia aren't getting much love from one another, either, and once their marriage finally collapses, he takes up with their maid while Alicia has an affair with one of Luis's friends from school. Meanwhile, Miguel's father and mother are both slipping into senility and think suicide might be the answer to their problems, and Luis's aunt Rachel believes in the old adage "Spare the rod and spoil the child" - so much so that it's putting her daughter in danger. ~ Mark Deming, Allrovi
 

Friday, October 28, 2011

Tehilim (2007)

Tehilim (2007)
Director: Raphaël Nadjari
Country: France | Israel
Runtime;   96min









In contemporary Jerusalem, a small Jewish family leads an ordinary life until following a car accident, the father mysteriously disappears. They all deal with his absence and the difficulties of everyday life as best they can. While the adults take refuge in silence or traditions, the two children, Menachem and David, seek their own way to find their father... Written by NMH  

Thursday, October 27, 2011

So Much for Justice!(2010)

So Much for Justice!
Director: Miklós Jancsó
Country: Hungary
Runtime: 86






Managed to get onto the second party of the Mátyás [*Matthias] era, the peak of his power for a king's reign, and through this for Hungary's hey-day short one and a half of his decades concentrates. In the centre Mátyás [*Matthias] king (László Gálffi) his marriage, the troubles of the succession, the life of the Renaissance yard and the relations of inside are at a standstill, i mean mostly the happenings of the privacy, which manage national significance and political weight in a ruler's case however,.
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In Miklós Jancsó's film the three separable eras of Mátyás [*Matthias] king's life come up: youthful Mátyás king's fights for the throne; aged Mátyás king and the succession to the throne; and the fate of the royal crown and the royal heir after Mátyás king's death.

Whoever Says the Truth Shall Die (1981)

Whoever Says the Truth Shall Die (1981)
Directors: Philo Bregstein
Country: Netherlands
Runtime: 58 minutes





Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched. 

imbd review by Michael_Elliott (Louisville, KY)
Strange documentary from the Netherlands, which talks of the life, poetry and films of the controversial Pier Paolo Pasolini who was brutally murdered in 1975. The official cause of death is that the director took a 17-year-old boy for a walk, made sexual advances towards him and then the boy killed him. The conspiracy theory on display here is that the government and Christians had something to do with the murder due to the director's Salo and some poems he wrote towards the end of his life. For the most part this documentary is a complete bore that really doesn't come to life until the final ten minutes when the murder is looked at. The best piece of evidence given are the photos of Pasolini's body, which was beaten to a pulp and then driven over by a car. This is the evidence, which claims the boy didn't do the killings even though those being interviewed admit that Pasolini was the sexually aggressive type. The documentary never talks to anyone on the opposite side so we never really get any clear answers to what really happened. The stuff discussing his poems and films isn't very well done and doesn't really shine a light on anything because all the film really does is remind us that he was a homosexual every ten minutes.

Wednesday, October 26, 2011

Young Goethe in Love (2010)

Young Goethe in Love (2010)
 Director: Philipp Stölzl
Country: Germany
Runtime: 1 hour, 40 minutes





In 1772, we find the young German poet Johann Wolfgang Goethe flunking out of law school and getting drunk with his friends. He's a free spirit trapped in a stringent world where class is everything. All Goethe wants to do is write poems and get them published. But his stern father sends him away to a small town where he is accepted to work at a provincial law firm. There he befriends fellow law student Wilhelm Jerusalem. Goethe also meets, and falls in love with, the beautiful Lotte Buff. She in turn falls for the hopelessly romantic Goethe but, unbeknownst to him, is promised to marry Albert Kestner, Goethe's superior at the law firm. It all adds up to anguished love, as his friend Jerusalem also suffers a failed love affair with a married woman. Goethe transforms their travails into a grand masterpiece, the novel The Sorrows of Young Werther.

Of Love and Other Demons (2009)

Of Love and Other Demons (2009)

Director: Hilda Hidalgo
Country: Costa Rica | Colombia
Runtime: 95 min









Based on Gabriel García Márquez's novel, this is the unsettling story of 13-year-old noble Sierva and the dog bite that changes her life forever. Abandoned, displaced, in the midst of a sexual awakening and finally exorcised, Sierva finds an unlikely ally in a young priest and together they discover passion. Written by Pusan International Film Festival

Tuesday, October 25, 2011

Punk's Not Dead (2011)

Punk's Not Dead (2011)
Directors: Vladimir Blazevski
Country: Republic of Macedonia

Runtime: 1 hour 40 minutes








Macedonia's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012.

Punk's not dead is a remarkable black-comedy by Vladimir Blazevski. It is about a reunion of old punk band. Mirsa is a punk who is trying to put up with the struggles of everyday life in Skopje. One day he was offered to play for some multicultural-happening in Debar. Actually, all he ever wants is to play again with his punk band, so he accepts the offer. The next step is to find all former members of the band and make them play again... His ex-girlfriend is coming back to him and she is helping him to find the former members of the band. Punk's not dead gives good message - we should keep on trying to make our dreams come true.
 

Monday, October 24, 2011

White White World (2010)

White White World (2010)
Directors: Oleg Novkovic
Country: Serbia
Runtime: 1 hour 55 minutes





 In the Serbian drama “White White World: The Miner’s Opera” (“Beli Beli Svet”), the characters sing, but never dance. Formulated as a modern day Greek tragedy set in the decrepit southeastern mining town Bor, the movie follows a close group of alienated locals through misguided love affairs and other brash misdeeds. But the songs feature no choreography or other stylish methods of breaking the harsh, downtrodden tableaux. It’s a surprisingly effective strategy. With his sophomore effort, director Oleg Novkovic uses musical expression to frame inner monologues that would never work in spoken form. As a result, a story exclusively populated by damaged people engaged in morally ambiguous, often depraved behavior manages to evoke sympathy for all of them.
At its center is King, a retired boxer now running the neighborhood bar. Years earlier, he had an affair with erstwhile seductress Ruzica, an act that led her to kill her husband and wind up behind bars. The movie begins shortly before Ruzica’s release from jail, when the still-swinging King engages in a similarly ill-fated liaison with Ruzica’s rebellious 18-year-old daughter, Rosa. After a few drinks, two engage in fast, passionless sex, and King rushes out the door without a word…