ഫ്രാട്രിസൈഡ്

Fratricide(2005)
Dir:Yilmaz Arslan
Country:Turkey
4 wins & 1 nomination See more »

Amidst hopeless squalor, four young exiles - two Kurds, two Turks - meet in Germany, unleashing a nightmarish cycle of violence they believed they had left behind. Boasting astonishing performances, this explosive tale of conflict and revenge from award-winning director Yilmaz Arslan presents an unflinching look at refugees struggling to survive despite the cruel and brutal indifference of a society that wants no part of them.

ദി അണ്‍നോണ്‍ സോള്‍ജീര്സ് പേറ്റന്റ്‌ ലെതെര്‍ ഷുസ്‌

The Unknown Soldier's Patent Leather Shoes (1979)
Dir:Rangel Vulchano
Country:Bulgaria

A middle-aged Bulgarian is watching the change of the guard in front of the Buckingham Palace. For no apparent reason, while looking, in his mind he gets back to his childhood in the little Bulgarian village, he grew up in. Different rites, different traditions and still he finds something in common. He recalls the people he knew, he feared or admired. He ponders over that life of no brilliance, where people plough, harvest, marry and die, celebrate or grieve. Miracle are also worked, conceived in a unlimited child's imagination. It is the child's perception of the world that helps us to give a meaning to the major questions of human existence.

ഫോറെസ്റ്റ്

Las aka Forest(2009)
Dir:Piotr Dumala
Country:Poland
1 win See more »

The Forest” is a black and white experimental film. The action of the film takes place in two periods of time. An old man leads his son through a forest, and is simultaneously under his care confined to bed with a deadly illness.

The film attempts to portray the boundary zone between life and death. It examines the difficult relationship of understanding between father and son. They are to be combined with equal rights in animated and acted scenes. The formal essence of the idea is the seamless mounting penetrating these two worlds so that the changeability is virtually unnoticed by the audience, but accepted incidentally as the uniform language of the tale. The contemporary and forest themes do not signify a separation of the live and animated action. They fulfil themselves in the literary sense and create an impression of parallel coexisting worlds, where the same persons may experience different fates.

The essence of both stories is the relationship between the very old man and the man in middle age. This co-dependency, in which the questions of domination, cooperation, love, sacrifice and death appear. The history of the man in the forest is connected with the biblical theme of Abraham and Isaac. The story of the ill father and his son is harsh and to the contrary natural. Both themes run in parallel, but as if in opposite directions. Certain dramatic points seem related and mutually penetrating, reaching culmination in the scene of murder in the forest and in the scene of the opening eye of the dying father.

The co-dependence of four male figures in two male persons is to lead to touching the secrets of death. The title Forest, inspired in an unusual dream, is a metaphor for the collective fates of all people.

The method of filming approaches that of a documentary. It happens as an unseen entrance to the world of myth and pure creation. Black and white images and minimal dialogue have the effect that image and synchronising effects constitute the principle language of the story. This also is linked to the masters of the era of silent films, such as Dreyer and Murnau.

There were few films in the competition that I wanted to like more than the live-action feature debut of Piotr Dumała, one of the most distinctive animation talents to have emerged in Poland in the last three decades, which is saying something (Łagodna, his crepuscular adaptation of Dostoyevsky’s ‘A Gentle Spirit’, is arguably superior to Une Femme douce, Robert Bresson’s better-known 1969 version). Certainly, if the Era New Horizons festival had a cinematography prize, Adam Sikora would have won it hands down. Almost any random frame of The Forest could be enlarged and displayed as a fine-art photographic masterpiece: the forest exteriors are imbued with the same mysterious potency as a Tarkovsky dream sequence, while the spartan interiors show the same meticulous attention to composition, lighting and set decoration, a chamber pot is lit with the same loving care as the human face. But unsympathetic performances from both leads (Stanisław Brudny as the elderly, bed-ridden father, Mariusz Bonaszewski as his son, whose fractious relationship drives the film) ended up precluding what I assume was the intended emotional involvement - although dialogue is kept to an absolute minimum, it might have been more effective with none at all. But Dumała remains a major talent (an animated prologue supplies a handy reminder of where his reputation springs from), and I’ll be first in the queue to see whatever he comes up with next.

ഐ ഡോണ്‍ ജിയോവാനി

I Don Giovanni(2009)
Die:Carlos Saura
Country:Italy/Spain

It tells the secrets of the creation of the famous Mozart opera "Don Giovanni." With a cast of mostly unknown young actors, the film focuses on the character of Lorenzo Da Ponte, the author of the libretto and the inspiring force of the work of the Austrian genius. An Italian-Austrian co-Spanish, spoken in Italian and German, which was very well received at its world premiere at the Toronto Film Festival 2009.

റോസാ ലക്സംബര്‍ഗ്

Rosa luxemberg(1986)
Dir;Margarethe von Trotta
Country:Germany
4 wins & 1 nomination See more »

Wronke Prison, 1916. Social democrat Rosa Luxemburg faces a mock execution. Twenty years earlier, Rosa's political gifts are acknowledged by everyone, as she struggles for democratic government in Germany and revolution in Poland. There she works closely with Leo Jogiches. Their political activity creates some difficulty for their personal relationship... As international tensions rise, Rosa makes speeches denouncing war and militarism. She seems too radical for her fellow Socialists. She meets Karl Liebknecht. When World War I begins, Rosa and Karl are united in opposition...

എ സ്റ്റെപ് ഇന്‍ ടു ഡാര്‍ക്ക്‌ നെസ് (2009)

A Step into Darkness(2009)
Dir:Atil Inac
Country:Turkey

A young northern Iraqi girl is the sole survivor of a mistaken military raid on her village, only to be captured by militant Islamists, who plan to use her as an expendable instrument of terror with devastating consequences. After most of her family dies in a disastrous raid by American soldiers, the young and naïve Cennet (Suzan Genç) sets out to find her older brother, Azim (Özgür Kartal), in this harrowing tale set in war-torn Iraq following the U.S. invasion. After learning that Azim has been badly injured and taken to Turkey, Cennet joins up with a pair of smugglers to try to cross the border, but her quest proves dangerous and anything but simple.

പിങ്ക് ഡ്രീംസ്‌

Pink Dreams(1976)
Dir:Dušan Hanák
Country:Slovakia
An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

ഇഫ്‌ ഐ വാണ്ട്‌ ടു വിസില്‍ ,ഐ വിസില്‍

If I Want to Whistle,I whistle(2010)
Dir:Florin Serban
Country:Romania
2 wins & 1 nomination See more »

The story of an 18-year-old juvenile delinquent (Pistereanu) who is about to be released from reform school but seems intent on sabotaging his chances of freedom, has rough edges and some evident shortcomings, but also a far more authentic ring than many similar, more sophisticated films made by experienced directors. A worthy addition to the new wave of Romanian cinema.

The cast is comprised exclusively of non-professionals, many of them inmates of juvenile penitentiaries. They deliver fearlessly unpolished, lifelike performances, completely spontaneous and natural in every respect. This is true for all the supporting roles, but is particularly impressive in the leads. Pistereanu moves beyond the stubborn rebelliousness of his character to intuitively and successfully capture not only the vulnerability but also the despondency of an 18-year-old who has not yet learned the meaning of the word “consequences”. His two painful, vengeful confrontations with Voda, excellent in the role of his mother, are the film’s high points.

ജാഫ

Jaffa(2009)
Dir;Keren Yedaya
Country:Israel
The movie begins in the family owned garage of an Israeli family, where father, son Meir, and daughter Mali, work alongside a young Palestinian named Toufik. Meir is not the model son- rebellious, angry, ungrateful and disrespectful towards his parents and everybody else, he steals the attention from his quiet younger sister. No one suspects that she is having a love affair with Toufik and that they are secretly planning on getting married.

Religious and other tensions start building between the two young men, Meir and Toufik, and the outcome is shocking and devastating. Mali makes an extremely difficult sacrifice, depriving herself of a normal life by keeping hidden a truth which only she knows.

All of the actors are magnificent. The father is particularly memorable, always kind, trying at times to be a little bit stern, understanding of everyone throughout the film until his final, harsh condemnation. The ending is extremely powerful- completely unexpected and expected at the same time. Mali finally makes a choice for herself and we are left hoping that her life will be a happy one.

എ സെര്‍ബിയന്‍ ഫിലിം

A Serbian Film(2010)
Dir:Srdjan Spasojevic
Country:Serbia

Really, really shocking movie. This is probably the only edition that we will be able to find because already they banned it from movie theaters and releasing a dvd will probably never be done. Movie is quite graphic, done professionally and you will enjoy it if you like sick stuff.

Milos, a retired ex-porn star, now leads a normal family life with his beautiful wife, Maria and five year old son Stefan in tumultuous Serbia inn a modern era of transition, trying to make ends meet. A sudden call from his former colleague, still hot porn actress Layla, will change everything. Aware of his financial problems, Layla introduces Milos to Vukmir - a shady, mysterious, menacing and politically powerful figure in the porn business who makes Milos an offer he can't refuse. A leading role in Vukmir's new production will provide financial support to Milos and his family for the rest of their lives. Milos is hesitant at first, because a contract insists on his absolute unawareness of the script they will shoot or the dramatic situations that Vukmir is going to put him through during filming. Finally, he agrees, driven by the urge of security for his family, protecting it from the impending poverty so dominant in Serbia today. From then on, Milos is drawn into a maelstrom of unbelievable cruelty an mayhem devised by his employer, "The Director", of his Destiny, Vukmir. Relentless in his attempt to make an ultimate artistic "snuff-porn", the one that has never been seen, using poor people as his acting cannon fodder, and unleash it upon the hungry eyes of the world. Vukmir and his cohorts will stop at nothing to complete his "vision", and will go to unspeakable lengths to achieve it, using even innocent children as props. In order to escape the living cinematic hell he's put into and save his family's life. Milos will have to sacrifice everything: his pride, his morality, his sanity, and maybe even his own life. In a Serbian "Heart of Darkness" where life is cheaper then a candy bar, in a struggle with enemies powerful beyond belief and just as violent and pathologically evil, the chances of surviving are abnormally thin.